It includes some of his greatest and most famous tales, including “The Library of Babel” and “The Circular Ruins.” These tales will make you think, and they will haunt you. This collection of short stories is often considered the height of Borges’s genius. This collection holds uncanny and haunting tales, from a vignette about personal identity to the mind of an unrepentant Nazi. Borges is one of the founders of the genre, and yet his magical realism is its own genre in of itself. The Aleph and Other Stories by Jorge Luis Borges.Rose Edelstein bites into her mother’s homemade lemon cake on her ninth birthday to discover that she can taste the feelings of her mother through the cake-and they are desperation and despair. The Particular Sadness of Lemon Cake by Aimee Bender.A short tale about a magician, a nephew and adorer of Houdini, who needs to break people out of a prison. The Man Who Walked Through Walls by Marcel Ayme.He sets out on a journey that twists through time and space, with appearances from his teenage niece, a Peruvian shepherd, a group of mojados, and more. Don Fausto is an old man who isn’t ready to die. The Road to Tamazunchale by Ron Arias.The holy icon of Saint Barbara of the Thunder is due to arrive at the port of 1960s Bahia-but as the boat docks, the statue comes to life and disappears into the city towards a young woman in love whose aunt has locked her away.
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If you want to know why I’ve included a book in my list, or you know one that you’re sure I’ve missed, please feel free to reach out through the comments. Some of these books have just a single moment of surrealism and are by Western authors others are surrealist or fabulist others are classics of the magical realist genre itself, and their pages live and breathe magical realism. In this list, I’ve included magical realism books out of all of those categories. If the reader or main character asks, “Did that really just happen within the world of the novel?” and isn’t sure, it’s a moment of magical realism or surrealism. As the postcolonial tales inflected postmodernism with a questioning of reality, authors all over began to push the boundaries in their novels. In reality, these novels are usually surrealism or fabulism (for example, I would call Murakami’s novels surrealism), but many people call them magical realism books as well, so I usually refer to the phenomenon as the “magical realist mode” to differentiate it from the genre. Mixed in the timeline with those novels are what came out of magical realism. By signing up you agree to our terms of use
Thank you for signing up! Keep an eye on your inbox. The Western canon is obsessed with realism, but that’s not how so many live their lives: to so many, fantastic things happen everyday, both horrible things and incredible things, and the magical realist tales they tell may seem fantastic but are, inherently, grounded in what happened. Authors such as Toni Morrison, Louise Erdrich, Yaa Gyasi, and Arundhati Roy tell the stories of the oppressed through this mix of reality and non-reality. Other cultures have had similar or influenced movements of magical realism. Magical realism as a genre should be easily defined: a movement of Latin American authors, led by such greats as Jorge Luis Borges, Gabriel García Márquez, and Isabel Allende, that seems to mix myth and reality in order to battle back against the staunch realism of Western literature.
The conflicting definitions of magical realism emerge from the reality that what some scholars call “magical realism” is actually a mash-up of literatures that are difficult to categorize.
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